Since sculpting her first bronze in 1994, Angela Mia De la Vega has been creating figurative bronze sculptures for international collectors, corporations and institutions. She lives and works in Texas. Exalting the human spirit through expressive faces and natural body movement has become Angela’s recognized trademark. Her work’s greatest inspiration is the curious and ever-changing individuality of her children.
Since sculpting her first bronze in 1994, Angela Mia De la Vega has been creating figurative bronze sculptures for international collectors, corporations and institutions. She lives and works in Texas. Exalting the human spirit through expressive faces and natural body movement has become Angela’s recognized trademark. Her work’s greatest inspiration is the curious and ever-changing individuality of her children.“As I am working, I find the sculpture gradually coming to life. The piece never seems finished; I want to continue its creation but have to push myself to finally let go. To capture the image, each sculpture begins at a torrid pace, dramatic light and shadows over form. As the sculpture develops, I can slow down and focus on details, transferring the intensity of the subject, sculpting a responding body that listens as a live face does.”Angela’s figurative sculptures are said to emanate a unique living spirit, which is something the artist achieves by truly knowing and often loving her subjects. Angela sculpts in clay her deeply honest observations, reflecting even the smallest nuance in character and ultimately revealing an acute, mesmerizing likeness to her model “Because of the passion that inspires my sculpting, I hope to transmit the complexity of emotions to those who contemplate my work. I want my work to be remembered as something that inspires and awakens tenderness of spirit - something within us that allows us to stop and appreciate the more important things like family and emotions, especially love.” Angela graduated Summa Cum Laude from Clarion University of Pennsylvania, and completed undergraduate and post-graduate studies at the University of Madrid, Spain. She is a member of the National Sculpture Society, The Guild for Artists and Artisans, American Women Artists and was recently named a Living Master by ARC (Art Renewal Center).
Like Norman Rockwell, Seuss personally created every rough sketch, preliminary drawing, final line drawing and finished work for each page of every project he illustrated. Despite the technical and budgetary limitations of color printing during the early and mid-twentieth century, Dr. Seuss the artist was meticulous about color selection. He created specially numbered color charts and elaborate color call-outs to precisely accomplish his vision for each book. Saturated reds and blues, for example, were carefully chosen for The Cat in the Hat to attract and maintain the visual attention of a six-year-old audience. By the time Seuss’s book career took off, sharp draftsman skills were evident in drawings. His ability to move a storyline ahead via illustrations filled with tension, movement and color became a hallmark component of his work, and the surreal images that unfolded over six decades became the catalyst for a humorous and inspired learning experience.
Artist Leo Rijn, the inaugural sculptor for the Dr. Seuss Tribute Collection I, was selected to launch this project due to his prized work with some of today’s top talent in the world of film, entertainment and the visual arts (including Tim Burton, Ang Lee and Steven Spielberg). Rijn has been identified as one of today’s brightest sculpting talents because of his ability to breathe life into the written word and successfully transform two-dimensional ideas into three-dimensional works of art. Universal Studios commissioned Leo to develop and oversee the creation of numerous maquette scale models for the Monumental Dr. Seuss Sculptures at Seuss Landing in Orlando, Florida. Leo was instrumental in the art direction for many of the sculpted characters and buildings now on display at this permanent Seuss attraction. His strikingly accurate Seuss works embody a masterful and intuitive Seussian sensibility, establishing him as a leading talent in interpretive sculpting.
Seuss embarked on an ingenious project in the early 1930s as he evolved from two-dimensional artworks to three-dimensional sculptures. What was most unusual for these mixed-media sculptures was the use of real animal parts including beaks, antlers and horns from deceased Forest Park Zoo animals where Seuss’s father was superintendent. Unorthodox Collection of Taxidermy was born in a cramped New York apartment and included a menagerie of inventive creatures with names like the “Two Horned Drouberhannis,” “Andulovian Grackler,” and “Semi-Normal Green-Lidded Fawn.” Shortly after Seuss created this unique collection of artworks, Look Magazine dubbed Seuss “The World’s Most Eminent Authority on Unheard-Of Animals.” To this day, Seuss’s Unorthodox Collection of Taxidermy remains as some of the finest examples of his inventive and multi-dimensional creativity.
Illustrator by day, surrealist by night, Seuss created a body of irrepressible work that redefines this American icon as an iconographic American artist. Yet, the Secret Art often shows a side of the artist that most readers, familiar with him through his classic children’s books, have never seen. This collection, created over a period of more than 60 years, encompasses the entirety of Seuss’s multi-dimensional talent. The artistic golden thread highlighted throughout this collection is apparent in each wildly imaginative and surreal Secret Art image. The Secret Art of Dr. Seuss is an inimitable collection of artworks created at night for his own personal enjoyment. These works were rarely, if ever, exhibited during his lifetime and provide a deeper glimpse into the art and life of this celebrated American Icon.
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