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Guyton

Born in Pennsylvania in 1964, Patrick Guyton had the groundwork set for his artistic career at the age of 6, under the guidance of his father, Michael Guyton, an award winning fine and commercial artist and his mother, Anita Guyton, an Interior Designer and miniature (scale) artist.

In 1984 he attended The Art Institute of Pittsburgh where he studied the fine arts, sculpture, and design theory. He graduated with an Associates Degree in Visual Communications. Since moving to Southern California in 1987, he has worked as a fine and commercial artist doing airbrush illustration, murals and signage.

In 1997 Guyton joined Linda Jones Enterprises/Warner Bros. as a background painter for legendary cartoonist and animator Chuck Jones.....

 full biography

Born in Pennsylvania in 1964, Patrick Guyton had the groundwork set for his artistic career at the age of 6, under the guidance of his father, Michael Guyton, an award winning fine and commercial artist and his mother, Anita Guyton, an Interior Designer and miniature (scale) artist.

In 1984 he attended The Art Institute of Pittsburgh where he studied the fine arts, sculpture, and design theory. He graduated with an Associates Degree in Visual Communications. Since moving to Southern California in 1987, he has worked as a fine and commercial artist doing airbrush illustration, murals and signage.

In 1997 Guyton joined Linda Jones Enterprises/Warner Bros. as a background painter for legendary cartoonist and animator Chuck Jones. During which time he was privileged and honored to study under the late Maurice Nobel (Snow White and the Seven Dwarfs, The Grinch that Stole Christmas)

Guyton designed and painted many background scenes for Jones, most notable being the background scene for the “What’s Opera, Doc?” Limited Edition Animation Cell which was included in the films induction into the National Film Registry, an honor bestowed on only 100 films to date for being "among the most culturally, historically or aesthetically significant films of our time." becoming the first-ever animation film to be inducted.

Guyton was also commissioned by Looney Tunes/McKimson Productions where he became the background painter for classic animator Robert McKimson's cell art, working on McKimson’s Limited Edition Sports Animation Cells.

In 2000 he entered New Horizons Computer Learning Center where he completed certification in the Graphic Arts.

Having studied the work of a variety of masters such as Michelangelo, Tiepolo, Monet as well as Klimt, Rockwell, Earle, Nobel, Kline, Bisley and Roth of the 20th century, Guyton’s career has encompassed many different fields. In addition to various book illustrations, the artist designed thousands of Milk Caps during the POG craze for industry leader Trov Inc., lead character development artist and animation assistant for Honeytree Productions, hand painted commercial billboards, interior design murals and has taught fourth grade art at Vineyard Middle School in Anaheim, Ca.

Today Guyton works as an fine artist at his studio in Southern California where he specializes in gold and silver leaf modern contemporary variations of traditional Japanese and Venetian style works. Utilizing Flemish techniques and formulas Guyton keeps true to the Vienna Secession ideals, "to every age its art and to art its freedom." Patrick Guyton’s ability to design with sophisticated detail brings drama and poetic expression into his work. With his unique vision, he merges mood and atmosphere, evoking powerful emotions that create harmony.

Guyton's work can be viewed and collected today from Hawaii to Key West, He currently lives in Orange County, California with his wife and daughter.

Artwork Collections

Illustiration Art Collection

Like Norman Rockwell, Seuss personally created every rough sketch, preliminary drawing, final line drawing and finished work for each page of every project he illustrated. Despite the technical and budgetary limitations of color printing during the early and mid-twentieth century, Dr. Seuss the artist was meticulous about color selection. He created specially numbered color charts and elaborate color call-outs to precisely accomplish his vision for each book. Saturated reds and blues, for example, were carefully chosen for The Cat in the Hat to attract and maintain the visual attention of a six-year-old audience. By the time Seuss’s book career took off, sharp draftsman skills were evident in drawings. His ability to move a storyline ahead via illustrations filled with tension, movement and color became a hallmark component of his work, and the surreal images that unfolded over six decades became the catalyst for a humorous and inspired learning experience.

Bronze Collection

Artist Leo Rijn, the inaugural sculptor for the Dr. Seuss Tribute Collection I, was selected to launch this project due to his prized work with some of today’s top talent in the world of film, entertainment and the visual arts (including Tim Burton, Ang Lee and Steven Spielberg). Rijn has been identified as one of today’s brightest sculpting talents because of his ability to breathe life into the written word and successfully transform two-dimensional ideas into three-dimensional works of art. Universal Studios commissioned Leo to develop and oversee the creation of numerous maquette scale models for the Monumental Dr. Seuss Sculptures at Seuss Landing in Orlando, Florida. Leo was instrumental in the art direction for many of the sculpted characters and buildings now on display at this permanent Seuss attraction. His strikingly accurate Seuss works embody a masterful and intuitive Seussian sensibility, establishing him as a leading talent in interpretive sculpting.

Taxidermy Colletion

Seuss embarked on an ingenious project in the early 1930s as he evolved from two-dimensional artworks to three-dimensional sculptures. What was most unusual for these mixed-media sculptures was the use of real animal parts including beaks, antlers and horns from deceased Forest Park Zoo animals where Seuss’s father was superintendent. Unorthodox Collection of Taxidermy was born in a cramped New York apartment and included a menagerie of inventive creatures with names like the “Two Horned Drouberhannis,” “Andulovian Grackler,” and “Semi-Normal Green-Lidded Fawn.” Shortly after Seuss created this unique collection of artworks, Look Magazine dubbed Seuss “The World’s Most Eminent Authority on Unheard-Of Animals.” To this day, Seuss’s Unorthodox Collection of Taxidermy remains as some of the finest examples of his inventive and multi-dimensional creativity.

 

Secret Art & Archives

Illustrator by day, surrealist by night, Seuss created a body of irrepressible work that redefines this American icon as an iconographic American artist. Yet, the Secret Art often shows a side of the artist that most readers, familiar with him through his classic children’s books, have never seen. This collection, created over a period of more than 60 years, encompasses the entirety of Seuss’s multi-dimensional talent. The artistic golden thread highlighted throughout this collection is apparent in each wildly imaginative and surreal Secret Art image. The Secret Art of Dr. Seuss is an inimitable collection of artworks created at night for his own personal enjoyment. These works were rarely, if ever, exhibited during his lifetime and provide a deeper glimpse into the art and life of this celebrated American Icon.

http://www.authorizedgallery.com/secret-art-archive-works

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